Yale’s “Urinetown” Combines Humor and Rebellion in Fall Production

The Yale Dramatic Association is set to launch its fall mainstage production of “Urinetown” on October 4, 2023, at the University Theatre. This satirical musical explores themes of rebellion in a drought-stricken city where water is scarce, and residents must pay to access public restrooms controlled by a corrupt tycoon. The story follows Bobby Strong, who ignites an unexpected uprising against this oppressive system.

Jaden Nicita, a first-year student portraying Bobby, finds the role particularly resonant. “Bobby starts in total obedience to the world he’s stuck in. Come see him because, if you’re in a place where you feel stuck, his story shows how you can break out of the system,” Nicita shared. Transitioning from darker roles to Bobby’s optimistic character has been refreshing for him. “Getting to play someone who’s a hopeless romantic — someone optimistic — honestly brings some levity into my own life,” he added.

Collaboration and Creativity at the Heart of Production

Director Ashley Rodbro, an alumna from the class of 2009, praised Nicita’s multifaceted talent. “Bobby Strong is in many ways the heartbeat of the show, and Jaden brings such a sense of complexity, earnestness, and optimism as a performer,” Rodbro noted. Nicita hopes the audience will appreciate the humor while also reflecting on the deeper societal issues presented in the story.

One standout number, “Follow Your Heart,” encapsulates the musical’s blend of sincerity and satire. “It’s cheesy, but it really is the heart of the show,” Nicita explained. “Sometimes the world makes no sense, and you have to do what you think is right anyway.”

The production benefits from strong camaraderie among the cast, with Nicita estimating that half of his closest friends at Yale are in the show. Partnering with his friend Ben Heller, who plays the tyrant Caldwell B. Cladwell, adds a layer of authenticity to their performances. “Ben is one of my best friends,” Nicita remarked. “We’re constantly surprising each other onstage. That trust lets us take risks.”

Technical Expertise and Social Commentary

Behind the scenes, the scale of the production involves a dedicated team of over 60 individuals, according to stage manager Elizabeth Simmons. The crew has worked diligently to prepare the theater for the opening night. Simmons emphasized the challenge and reward of curating a musical that balances humor with serious themes, noting, “It’s a fun musical, but it also deals with climate change, fascism, and real-world issues.”

Choreographer Sadie Pohl highlighted the importance of dance in conveying social commentary. “We’re trying to use movement to reference status,” Pohl stated. The choreography distinguishes the movements of the wealthy characters as rigid and unified, while the poor are depicted with more varied and expressive movements.

Producer Dhruv Bhalla expressed pride in the collaborative spirit of the production. “The energy in the rehearsal room has been incredible — from the cast to the assistant directors to this huge stage management team working so well together,” he said. Bhalla also noted the rewarding experience of mentoring first-year students who are enthusiastic about lighting and production.

“Urinetown” serves as a creative exploration of capitalism and oppression, coming together through a blend of collaboration, creativity, and technical skill. “It’s really funny. It’s really silly. It’s filled with the love of so many people,” Bhalla concluded. “And even with the silliness, it’s still meaningful.”

The University Theatre is located at 222 York St, providing an inviting space for audiences to experience this unique theatrical offering.