Acclaimed performers Mark Nadler and Stephanie Pope will unite for a festive evening titled “Christmas in the City” on December 15, 2024, at Philadelphia’s Rittenhouse Grill. The event marks a significant moment in their storied careers, blending holiday music with diverse cultural traditions.
Both artists have deep roots in performance, with Nadler beginning his career at the age of 11 in his hometown of Cedar Falls, Iowa. He recalls, “Fifty-three years later, I’m still working and thinking, ‘I get paid for this!’” His journey has taken him from local events to an international theater and cabaret presence, where he has headlined thousands of shows and collaborated with notable talents, including Christine Andreas and George Dvorsky.
Pope’s path to the stage began similarly, as she took her first dance class at the age of 11 at the prestigious Dance Theatre of Harlem in New York City. “In terms of dance, that was late,” she jokes, but her talent quickly propelled her into the spotlight. She has been a significant figure in Broadway productions, even catching the attention of legendary choreographer Bob Fosse, who cast her in the musical “Sweet Charity.” Her versatility extends beyond dance; she has also made a mark as an actress and singer, earning a Tony nomination for her work in the 1999 revue “Fosse.”
The upcoming performance at the Rittenhouse Grill is part of a cabaret series produced by veteran impresario Randy Swartz and hosted by Garth Weldon. Dinner will be served starting at 5:30 p.m., with the show set to commence at 7:30 p.m. Tickets and package options can be obtained by calling 215-772-1701.
Nadler emphasizes the show’s inclusive approach, stating, “It’s not only Christmas music. Monday is the second night of Hanukkah, so we’ll be covering a variety of traditions.” He assures audiences that the Hanukkah song will not be the typical “I Have a Little Dreidel.”
Pope adds that Nadler’s arrangements are what will set this performance apart. Among the selections, audiences can look forward to hearing “We Need a Little Christmas” from Jerry Herman’s musical “Mame.” Their collaboration has a history; Nadler first invited Pope to perform at his “Broadway Hootenanny” at Sardi’s nearly two decades ago, an experience that Pope describes as a “breakout moment” for her in cabaret performances.
Despite the Rittenhouse stage being relatively small, Pope is eager to showcase her dancing, confirming, “I will be doing some steps.” Nadler praises her presence, noting, “When she’s just standing still, you see she is a dancer. Her presence is an entire ballet.”
As the holiday season approaches, both performers express their intent to spread joy through their artistry. Nadler reflects, “We can use a bit of joy right now.” The stage is set for a vibrant celebration of music, tradition, and the holiday spirit, marking a memorable evening in Philadelphia’s cultural calendar.
