The world premiere of the children’s opera “Pancho Rabbit and The Coyote” took place on Saturday at the Southwestern College Performing Arts Center in California. Composed by the Pulitzer Prize-winning artist Anthony Davis, this new work has quickly garnered attention for its engaging narrative and rich musical composition.
“Pancho Rabbit and The Coyote” draws inspiration from the acclaimed children’s book by Mexican-American author Duncan Tonatiuh. The opera, co-created with librettist Allan Havis, aims to resonate with both children and adults, addressing significant themes through a captivating story. Set against the backdrop of Chula Vista, just 12 miles from the bustling Tijuana border, the opera reflects the complexities of immigration and family ties in a contemporary context.
The one-act chamber opera features a diverse cast, with many characters portrayed as animals. The title role of Pancho is played by Mariana Flores Bucio, a UC San Diego alum. Her performance captivates audiences with a blend of innocence and vocal brilliance. Victor Robertson portrays the Coyote, delivering a compelling interpretation of a character that oscillates between ally and antagonist, revealing the moral ambiguities of his role.
The story follows Pancho, an 11-year-old rabbit, as he embarks on a dangerous journey from his home in Mexicali to find his father in El Norte. He is accompanied by the Coyote, who initially sees Pancho as a means to an end, but the relationship evolves throughout their travels. This narrative explores pressing issues such as social inequities, political dynamics, and the harsh realities faced by undocumented migrants.
Davis’ score is a standout element of the production, showcasing his unique fusion of musical styles, including classical, cumbia, cha-cha, and jazz. The 17-piece orchestra performed with exceptional precision, enhancing the emotional depth of the opera. Particular praise was given to musicians such as trombonist Michael Dessen and violinist David Boroff, who contributed vibrant solos that complemented the unfolding drama on stage.
The lyrics, translated into Spanish by Laura Fuentes, were projected above the stage, making them accessible to both English and Spanish-speaking audiences. Havis’ writing strikes a balance between simplicity for younger viewers and depth for adult attendees, making the experience enjoyable for all.
Stage direction by Octavio Cardenas ensured clarity and focus throughout the production, while the innovative use of tulle to represent the river added a creative touch to the visuals. Though the opera’s conclusion felt slightly rushed, overall, the production effectively captured the heart of its themes.
In a reflection of the timely issues addressed in the opera, some cast members will perform alternate roles during the scheduled January 31, 2024, performance in Tijuana. This change is due to concerns regarding crossing the border, highlighting the very realities depicted in the opera.
As “Pancho Rabbit and The Coyote” begins its journey, it promises to be a significant addition to the canon of contemporary opera. With its powerful storytelling and diverse musical influences, it stands to become a beloved piece for audiences of all ages.
